A scene from director D. W. Griffith’s motion picture ‘The Birth of a Nation,’ 1915. (Credit: NYPL/Smith Collection/Getty Images)

“Academic histories mostly centered around the Dunning School,” McEwan says of the historiographical school of thought conceived by scholar William Archibald Dunning. It concluded that Reconstruction was a terrible mistake, which helped validate the film’s message, McEwan added.

Shortly after the Los Angeles launch, Thomas Dixon Jr. convinced President Wilson to screen the movie inside the White House, arguably the first time that was ever done. President Wilson reportedly said of the film, “It is like writing history with lightning. And my only regret is that it is all so terribly true.”

Although the quote’s authenticity has been disputed, there is no debate where Wilson stood on the issue of race. “He re-segregated the civil service,” says McEwan. “It’s not unreasonable to conclude that he thought the film was amazing.” And of course, a movie screened at the White House was going to be perceived as an endorsement of the film; one white supremacist in Georgia understood this implicitly.

William Joseph Simmons is considered to be the founder of the 1915 modern Ku Klux Klan. While recovering from a car accident, the local preacher in Georgia followed the Birth of a Nation’s nationwide success. There were KKK-inspired aprons, costumes and regalia that glorified the defunct organization. Simmons seized on the film’s popularity to bolster the Klan’s appeal again.

It wasn’t just the fraught racial tensions that made the timing of a rebirth feasible. The way the film was made, with innovating editing techniques and close-up action shots, was captivating.

“People were taken to another planet,” says Dick Lehr, author of The Birth of a Nation: How a Legendary Filmmaker and Crusading Editor Reignited America’s Civil War. “The galloping Klan riding to the rescue. The pure spectacle of it all,” says Lehr, romanticized the KKK. The film bolstered the idea that the Klan was there to save the South from savage black men raping white women, a racist myth that would be propagated for years, Lehr adds.

The Birth of a Nation premiere

Members of the N.A.A.C.P. picket under the marquee of the Republic Movie Theatre in Flushing, New York, against race discrimination featured in the movie, ‘The Birth of a Nation,’ being played at the theater in 1947. (Credit: Library of Congress/Corbis/Getty Images)

As described in a journal article by historian Maxim Simcovitch, Simmons put a plan in motion once he learned the film would be released on December 6, 1915 in Atlanta. Just 10 days before the film premiered, Simmons gathered a group and climbed Stone Mountain, outside Atlanta, to burn a large cross. He reportedly said, “There was good reason, as I have said, for making Thanksgiving Day (November 25, 1915) the occasion for burning the fiery cross. Something was going to happen in town (Atlanta) the next week (the premiere of The Birth of a Nation) that would give the new order a tremendous popular boost.”

As planned, word spread about the burning cross. Simmons also took out a newspaper ad about the KKK‘s revival that ran right alongside an announcement about The Birth of a Nation premiere.

On opening night, Simmons and fellow Klansmen dressed in white sheets and Confederate uniforms paraded down Peachtree Street with hooded horses, firing rifle salutes in front of the theater. The effect was powerful and screenings in more cities echoed the display, including movie ushers donning white sheets. Klansmen also handed out KKK literature before and after screenings.

The NAACP unsuccessfully protested The Birth of a Nation but the film’s popularity was too strong. With black troops from WWI returning from France and the migration of black people to the North, there were new racial tensions in northern cities, like Chicago, Boston and Philadelphia.  “There was no will in the North to enforce equality,” McEwan says. “It half-heartedly condemned racism.”

As the film continued to be screened and re-screened well into the 1920s, Lehr says more Klan chapters formed and membership reportedly reached into the millions. New Klansmen were shown TheBirth of Nation and the film continued to be a recruiting tool for decades to come.

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